Entertainment, Arts and Sports Law Journal

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  • About this Publication

    Diverse opinions contribute to the vitality of the law, and for every topic there are many issues to be addressed. The Entertainment, Arts and Sports Law Journal is a forum for ideas and a repository for legal analyses and theories. The EASL Journal presents topics that EASL attorneys address on a daily basis, and provides comprehensive overviews of both large issues that affect a majority of the EASL Section membership and analyses of more specific issues that affect only a few. In addition to contributions from practicing attorneys, the EASL Journal accepts articles from laypersons involved with issues that affect many in the EASL fields. Edited by Elissa D. Hecker, Esq., the EASL Journal is published three times a year by the Entertainment, Art and Sports Law Section and distributed to Section members free of charge.

    The EASL Journal is published as a benefit for members of the Entertainment, Art and Sports Law Section and is copyrighted by the New York State Bar Association. The copying, reselling, duplication, transferring, reproducing, reusing, retaining or reprinting of this publication is strictly prohibited without permission.
    © New York State Bar Association. All rights reserved. ISSN 1090-8730 (print) ISSN 1933-8546 (online)

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  • Table of Contents Current Issue

    Spring 2015

    Remarks from the Chair
    (Steve Rodner)

    Editor’s Note

    Pro Bono Update

    Law Student Initiative Writing Contest

    The Phil Cowan Memorial/BMI Scholarship

    NYSBA Guidelines for Obtaining MCLE Credit for Writing

    The Business Immigration Station: Sports Immigration: Working With the Athlete, Staff, Franchsie, League, and a Minor's Parent(s)
    (Michael Cataliotti)

    TV 101: The Ins and Outs of Television Trade-Outs
    (Nima Daivari)

    Resolution Alley: Using Alternative Dispute Resolution to Address Entertainment Disputes
    (Theodore K. Cheng)

    Unbundling the Future: The Industry Impacts of Redefining Multichannel Video Programming Distributors to Include New Online Subscription-Based Services
    (Marissa A. Crespo)

    Certiorari Denied "Reverse Confusion" Case Concerning Fictional Computer Program in The Dark Knight Rises
    (Tim Buckley)

    Paying Off Debt With Art: An Analysis of the Unique Issues Involved With Using Fine Art as Collateral for Loans in the United States
    (Ariel Sodomsky)

    The Photographer Plays Big Brother: The Legal Implications of "Surveillance Art"

    (Morgan Manley)

    Entertainment, Arts and Sports Law Section Annual Meeting Transcript

    The Changing Landscape of Copyright Protection for Pre-1972 Sound Recordings
    (Ryan Jennings)

    Busy Sporting Competition Program—Are There Any Restrictions of Athletes' Rights?
    (Sergey Yurlov)

    The Pre-1972 Gap: How Congress' Omission of Pre-1972 Sound Recordings Is Affecting the Music Industry, Businesses, and Users Alike
    (Adam C. B. Lanza)

    Electronic Dance Music in the Digital Sampling World
    (Angie Lin)

    Book Review: Visual Arts and the Law: A Handbook for Professionals (2013)
    (Reviewed by Irina Tarsis)

    Krell’s Korner: Bupkis: Songwriting, Copyright, and The Dick Van Dyke Show
    (David Krell)